With my latest blog I started a series of blog posts that reflects on the final review of the EU-funded Learning Layers project (exactly one year ago) and on our progress with follow-up initiatives. The first post looked back at the review event and at the blogs that I had written on the event and on the follow-up activities. At the least it gave a picture of a ‘milky way’ of posts reporting on meetings with different partners – either within ongoing projects or as preparation of new initiatives.

Last week we (the ITB team) had a series of meetings with the developers of the Learning Toolbox and with interested partners in the construction sector in North Germany. In the following I will give a brief summary on the ongoing projects and emerging initiatives that build upon our work with the Learning Toolbox in the Learning Layers project. (For more information on the Learning Toolbox see the website.)

The DigiProB project – Learning Toolbox supports continuing vocational training (CVT) of Bau-ABC

As has been reported in my blogs of the year 2017, the German-funded project DigiProB has started already during the last months of the Learning Layers project. The aim of the project is to develop and introduce digital tools that support training and learning in the continuing vocational training (CVT) schemes in the construction sector. In particular the project focuses on the CVT programmes that upgrade skilled workers to foremen (Vorarbeiter), to specialised construction site managers (Werkpolier) and general construction site managers (Geprüfte Polier). The project had a twofold aim:

• to support the integration of training contents into integrated projects and
• to provide the participants digital tools that support their self-organised learning between course periods.

In the year 2017 major progress was achieved with a working group of part-time trainers (lecturers) responsible of different subject areas. A development website was launched to shape a set of integrated projects and for uploading relevant content. In addition, a working agreement was reached, how to integrate this development website to the course management system of Bau-ABC and how to make the digital content available for the learners. In this arrangement it was agreed that the Learning Toolbox will be used as the learners’ tool (and interface with the learning content). In the meeting last week several points were discussed on the finalisation of the software architecture to be used in the pilot activities in the coming weeks.

The ‘Social competences’ initiative – bringing the Learning Toolbox to construction companies

Another follow-up initiative that was started after the final review was the company-specific pilot with the construction company H. This company is a medium-sized enterprise that has specialised in pipeline-building and installations (water and electricity).  The company has several regional offices and its construction teams are working in a wide area in North Germany. The starting point of the cooperation was a feasibility study that was prepared by the developers of the Learning Toolbox (with support from the ITB team). This study made recommendations for the improvement of the system solutions and the software architecture of the company – to improve the sharing of information between the offices and the construction teams. Already in this context the Learning Toolbox played a role. As a spin-off from this study, the partners prepared also a project initiative to use Learning Toolbox as means to improve the communication and knowledge sharing between apprentices and in-company trainers. The pre-proposal had been accepted by the funding body and the partners were invited to submit a detailed proposal for a project that is due to start in Spring 2018. This proposal was discussed last week in the meeting between the partners involved in the project.

From ‘BIM-Table’ to ‘BIM-Koffer’ – preparing hardware solutions for mobile construction teams

One of the pain points for promoting the use of digital tools in construction work was the lack of appropriate hardware that is robust enough and well-protected from bad weather conditions, but at the same time provides access to relevant apps and software. On larger construction sites the companies have tried to introduce ‘BIM-Kiosks’ or ‘BIM-tables’, mainly to support the work of construction site managers and/or supervising engineers. This idea was picked by several Learning Layers partners (including CIMNE, ITB and some craft trade companies) but with the emphasis on similar needs of SMEs, smaller construction sites and mobile teams of construction companies. The construction sector partners have strongly underlined the need for a ‘mobile office hardware set’ (BIM-Koffer) that could provide a WLAN for the construction site and link to internet from remote locations. Whilst the design of such a hardware solution hasn’t fallen into the scope of funding programmes, a pilot team has come up with a plan to prepare a prototype that can be used in small-scale pilots and eventually in funded projects. In this initiative both the access to BIM software and to Learning Toolbox play a role.

Bringing Learning Toolbox into conferences – also in the field of vocational education and training (VET)

One of the delightful news of the year 2017 was the broad-based and successful use of Learning Toolbox as a conference tool to create ePosters (and mini-posters for poster-walls) in the AMEE 2017 conference. This pioneering exercise has been well documented by the introductory videos and by the showcases on the Learning Toolbox site. Based on this success story, another way of using Learning Toolbox with ‘hybrid posters’ was tested in the EC-TEL 2017 conference.

Now, when preparing the 2018 conferences, the ITB team has initiated contacts between the Learning Toolbox developers and organisers of conferences in the field of educational research (or research in vocational education and training (VET)). Even if we may not be able to make major steps forward this year, we are in a good position to start preparations for similar pilots as in the above mentioned conferences

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I guess this is enough updating on the projects and project-like initiatives that involve several partners. On top of this we learned a lot of further work with the Learning Toolbox within the training centre Bau-ABC Rostrup. But that is already a topic for a further blog post.

More blogs to come …

One year ago we had the pleasure to organise the final review of our EU-funded Learning Layers (LL) project (2012-2016) here in North Germany. The main argument to locate the meeting ‘in the field’ was that in this way the consortium and the reviewers could get a better impression on the impact of our work on the application partner organisations and their work. Therefore, we had most parts of the review meeting in Verden at the premises of Norddeutsche Zentrum für Nachhaltiges Bauen (NZNB). This centre for ecological construction work had worked as an application partner in the construction pilot of the LL project. Also, in the premises of the NZNB the participants could see the permanent exhibition and attend live demonstrations on working with ecological materials in construction work. The idea, to bring the review to such a location was received well. Also, trainers from the construction industries’ training centre Bau-ABC Rostrup could participate and give their contributions on the impact of the project on their work. The pictures below give an impression on the environment and on our tour round the premises.

What we (the LL Construction pilot) presented in the review meeting

After the event I wrote several blogs focusing firstly on the preparations and event itself, secondly on our report on the Construction pilot in which our ITB team had played a major role and thirdly on the conclusions from both pilot sectors of the LL project (Construction and Healthcare). At this moment I do not want to repeat what we said and what I wrote at that time. Here you have the links to the blogs of last year:

Final Review of Learning Layers – Part One: The Event and the Arrangements

Final Review of Learning Layers – Part Two: Presentations on the Construction Pilot

Final Review of Learning Layers – Part Three: Comparisons between and reflections on the pilot sectors

Altogether, we – reporting from the sectoral pilots – gave a picture of pilot teams working intensively with the application partners in the pilot organisations (in particular with the training centre Bau-ABC and the network for ecological construction work). The development of the digital tools and the mobile learning technologies was driven as a participative process in which the technical partners adjusted their ideas to the contexts and users’ potentials. These messages were summarised in two further blogs that I wrote shortly afterwards – to support the final edition of our final ‘final report’ that we were required to submit in addition to the final reporting on the website “Learning Layers Results“.

The Legacy of “Learning Layers” Construction Pilot – Part One: The project experience in a nutshell

The Legacy of “Learning Layers” Construction Pilot – Part Two: Impact of project activities in Bau-ABC Rostrup

In this way we managed to reach a phase in which the Learning Toolbox was a usable tool in different contexts of the construction pilot – and its potentials had been discovered in other application contexts.

What has happened with the follow-up activities after the Final Review

By the time of the review meeting we had already reached the phase of preparing and launching follow-up activities. For us – the research team in ITB and the developers of the Learning Toolbox – it was clear that we have to work together with application partners in the construction sector. The introduction of the Learning Toolbox had been started, but it was not a self-mover. Participative design, training interventions, accompanying research and knowledge sharing was needed – both between ‘old’ partners and ‘new’ users. Therefore, we started working with several parallel follow-up initiatives that started to take shape gradually. This process can be reconstructed with the help of my blogs that I have written in the year 2017 on different follow-up events:

What comes after “Learning Layers”? – Part One: The follow-up activities are taking shape

What comes after “Learning Layers”? – Part Two: Bau-ABC trainers working with digital media and ‘health and safety’

What comes after “Learning Layers”? – Part Three: Getting deeper with vocational learning, ‘health and safety’ and digital media

What comes after “Learning Layers”? – Part Four: Further steps with Bau-ABC trainers and ‘health and safety’

Introducing Learning Layers tools to construction companies – Insights and working issues

Shaping digital tools for continuing vocational training in construction sector – the DigiProB workshop in May

Working further with the Learning Toolbox – Overview on current activities in construction sector

These were the blogs that I wrote before the summer holiday break. After the summer holidays my work situation changed slightly and I didn’t have a similar possibility to accompany parallel activities. Yet, I could make some notes on the further progress with the activities in North Germany and on the use of Learning Toolbox in conferences.

Working further with the Learning Toolbox (LTB) – Part One: Notes on meetings with application partners

Working further with the Learning Toolbox (LTB) – Part Two: LTB-based ePosters become success stories in European conferences

So, as we can see from the long list of blogs, there was all the time something going on. And indeed, the Learning Toolbox was being developed for further contexts and users. Moreover, we – as accompanying researchers – felt the need to work with these initiatives. In particular, we wanted to learn, how the introduction of digital tools into work-related or organisational learning opens new frontiers to be explored. But this is already a topic for a further post.

More blogs to come …

Dear readers, let me first wish you all a happy and successful working year 2017!

And having said that, I can share with you a great piece of news. Already before the ITB office building was opened to start the new working year, our professor Michael Gessler had a great message to us: The brand new IJRVET Yearbook is available as an online version and as a print version. Now, for the European and international research communities in the field of vocational education and training (VET) this is such great achievement that it merits to be discussed in a specific blog post. So, I will start my working year with this topic already before I have come to my office.

The early initiatives to create an international journal for research in VET

As I remember it, the idea to set up a genuinely international research journal in the field of VET was brought to the agenda of the board of the European VETNET network in the year 2000. There had already been a predecessor initiative (independently of VETNET) that had been turned down by a commercial publisher. In the next phase the original initiator and the VETNET board joined forces and approached another publisher, who reacted positively. Thus, in the VETNET assembly in the European Conference on Educational Research (ECER) 2004 in Rethymnon, Crete, we had an optimistic report from the working group that was preparing the initiative. Also, we had a representative of the publisher attending the conference and observing our work. Everything seemed to work into a good direction.

However, several intervening factors brought the initiative to a different direction. The publisher that VETNET had contacted was merged to a larger publishing house, and that put our initiative on hold. Secondly, disagreements emerged within the working group, and the original initiator left the working group of VETNET and started to promote the initiative independently of VETNET. This led to a creation of a new journal but with different characteristics than we had expected.

This led to a period of latency and reorientation, bridged by a feasibility study that identified several hurdles regarding the relaunching of the journal initiative. Luckily enough, the VETNET board did not give up. By the year2 2013/2014 several things came together that encouraged new start:

• There was more know-how in the VETNET board to set up the editing procedures for an open access online journal independently of publishing houses.
• There were advanced open source online services to support the publishing of such journals.
• The scientific communities were ready to recognise publishing in such journals as academic merits and the global databases were ready to index them.
• Whilst the European VETNET network had already long ago become consolidated as ‘the’ umbrella network for European VET research, a parallel network initiative (IRNVET) had been launched under the auspices of the World Educational Research Association (WERA) to bring together a wider international VET research community.

The launch of the IJRVET  (2014) and the emergence of the support activities

In the light of the above and given the hard preparatory work between ECER 2013 and ECER 2014, the VETNET General Assembly at ECER 2014 in Porto, Portugal, was happy to make the decision to launch the new journal as “International Journal for Research in Vocational Education and Training (IJRVET)”. It was accepted as the official organ of the VETNET and IRNVET networks and it had a rather strong backing in Europe and in other global regions. By the end of the year 2014, two regular issues were published and from that point on three regular issues and eventual special issues.In 2015 we had a special issue on ‘Vocational didactics’ and in 2017 on ‘Returning to VET’

In the course of the years the IJRVET has become increasingly attractive also to authors working outside Europe and we have been able to share information and research contribution from practically all global regions. Among these highlights we can include the fact that IJRVET is now fully integrated and indexed in CNKI (Headquarter: Bejing), AIRITI (Headquarter: Taipeh) and ERIC (Headquarter: Washington). Furthermore, IJRVET has  established cooperation  with the ILO (International Labour Organization) and its regional agency Cinterfor (Centro Interamericano para el Desarrollo del Conocimiento en la Formación Profesional). (See more at http://www.ijrvet.net and at the IJRVET-related updates on the Vetnetsite of the VETNET network.

Shortly afterwards new arrangements could be made that the production of the journal could be supported by several conferences, in addition to the annual ECER and its VETNET programme. From 2015 on a biennial conference tradition was started with the theme “Crossing boundaries in VET research” in Bremen and continued in Rostock in 2017. At the VETNET General Assembly  at ECER 2017 in Copenhagen the VETNET Board could inform of a new working agreement that these conferences will be scheduled for Spring months and that they will rotate with the Baltic Sea cruise conferences hosted by the Stockholm university. In 2019 the ‘Crossing boundaries’ conference will take place in Valencia, Spain (the call for papers will be published in a short while). In this way the conferences that are supporting the IJRVET will not clash with each other but complement each other. More information on these conferences and on their proceedings also on the Vetnetsite.org and on the IRNVET/VETNET  ‘project space’ on the research portal ResearchGate.

The idea of the IJRVET Yearbook

After all the progress that had been achieved so far, the editorial team of the IJRVET had the feeling that something was missing. Indeed, one should appreciate the fact that there was the online journal that was appearing regularly and that readers had an open access to the archives of previous issues. Also, the proceedings of the conferences were available via Vetnetsite and ResearchGate. Yet, there was a need to get an overview on the progress with the journal. And the solution for that was the annual yearbook. Here again, the services were available for producing such a yearbook independently of publishing houses, either as printed publication via Amazon (see Vetnetsite) or downloaded via ResearchGate.

So, in a relatively short time the IJRVET and the supporting European and international VET research communities have taken major steps forward. We are looking forward to further steps during the year 2018 and from that year on.

More blogs to come …

In my two previous posts I have reported on my/our cultural highlight of this year – the Kuhmo Chamber Music Festival, July 2017. This was a shared experience between my partner Johanna (who has been a regular visitor since the early days of the festival) and myself (a latterly joined ‘avec’ who has learned to appreciate the festival). In my first post I told of the background of the festival and provided insights into the highlights of the Kuhmo 2017 program. In my second post I told of the meeting point ‘Salakamari’ (Secret chamber) and of the early morning lectures by artists in this pop-up restaurant and conference room. Indeed, my Kuhmo experience this year changed me from a passive sympathiser to an enthusiastic follower. I needed to learn more of this great music played by this great artists – who pointed out to be very nice fellows in the Kuhmo neighbourhood. For various reasons my follow-up ‘project’ has mainly focused on the music and video performances of Sergey Malov – Meister Sergey, as I prefer to call him. Below I will present some main points what I have found of him in the internet and what I have learned of him.

Playing violin, viola and violoncello da spalla at the same time

As has been indicated in the previous posts, Meister Sergey plays three instruments – violin, viola and the baroc instrument violoncello da spalla at the same time. For many traditional representatives of classical music this is unusual, if not suspect. For Meister Sergey this is a challenge and enrichment, something similar to learning several languages. And thanks to modern film techniques, he has been able to make his point. Together with the film crew of the Louisiana Modern Art Museum in Humlebaek, Denmark, he has produced films in which he appears to be playing the three instruments parallel to two or more Sergeys – and the music is fully synchronised. Here we have a sample of such multiple presence while playing:

Crossing the boundaries between different cultures and genres – making the performance transparent

Another film production with the same Danish film crew from the Louisiana Modern Art Museum gave Meister Sergey and his French counterparts, the composer Guillaume Connesson and the pianist Jerome Ducrot, a chance to demonstrate, how cultural boundaries can be crossed. In the video interview Meister Sergey gives insights into the development of Connesson, his capability to combine French traditions and American influences. Sergey analyses the exemplary piece of music – The Songs of Atlantis by Connesson – to be played by him and Ducrot together. At the same time the film crew equips the musicians and their instruments with numerous cameras to detect their movements – their Handwerk – while playing. In this way, the theory of music, the aesthetic performance and the technical mastery have all been made transparent.

Playing Bach with violoncello da spalla in a very special ‘concert hall’ – Gashouder Amsterdam

One of the most fascinating video recordings with Meister Sergey was made by the project “All of Bach” of the Netherlands Bach Society. In this production Sergey has been invited to play the Cello Suite no. 6 in D major of Johann Sebastian Bach – but with violoncello da spalla. And the venue is quite special – an old gas depot that had been preserved and could be reused for a concert without audience. The production resulted in three videos. The first one is the complete performance of the Suite no. 6. In the second video Sergey analyses the piece of music and puts into discussion the hypothesis that it was in fact written for an instrument with five strings. He demonstrates in a lively way, how this makes more sense regarding the technique of playing it. Finally, in the third video he discusses his instrument, violoncello da spalla and its potentials. In these videos Sergey speaks his native Russian but the videos have either English or Dutch subtitles. Please follow the link to access this treasury: http://allofbach.com/en/bwv/bwv-1012/

The rediscovery of violoncello da spalla – and what you can do with it

The final video in this sample is the recording of an informal conversation between Meister Sergey and Dmitry Badiarov, the violin constructor who had built the violoncello da spalla for Sergey. At first they start jokingly discussing, what it means for a musician to be ‘tagged’ as a specialist of a rare instrument. But then, when getting to the subject matter, they bring into picture evidence that some baroc compositions were explicitly written either for ‘viola da gamba’ or ‘da spalla’. If these two instruments were considered as equal options at that time, the present date musicians should explore the treasury written for viola da gamba also with violoncello da spalla. And having agreed on this, the friends of old then give a demonstration by playing together. And clearly the motto was ‘happy together’. Follow the link below and enjoy it as well:

https://www.facebook.com/violoncellodaspalla/videos/1360640140711419/

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I think this is enough of the learning journey that I have had after the  Kuhmo event. I notice that I have not mentioned the records of Meister Sergey or the video recordings of his concerts. More information is available on his website http://sergeymalov.com/ or on his professional facebook page. As far as I am concerned, I have learned a lot with this follow-up of the magnificent Kuhmo experience.

And with this blog post I wish you all a happy Christmas time and a good slide to the new year 2018!

More blogs to come (next year) …

With my previous blog I started a series of posts looking back at the highlights of the year 2017 – and this time with a focus on the cultural highlights starting from the Kuhmo Chamber Music Festival 2017. In my previous post I told of the background of this festival and how it became – against odds – a success story. I also told, how this particular festival in the year 2017 became a special event for us and what kind of highlights were performed on the stage. But, I also hinted that the concerts were not all that mattered in the Kuhmo experience. This brings us to the phenomenon ‘Salakamari’.

The meeting point Salakamari (Secret chamber) and its attraction

Indeed, a major ingredient in the Kuhmo atmosphere was the meeting point “Salakamari” – a pop-up restaurant built into an old barnhouse. In the evenings it served as the restaurant and it had an outdoor bar area with a open campfire. In the mornings Salakamari served as a pop-up conference facility. For each day there was a short opening lecture on the theme of the day by one of the artists. And this was accompanied by a short performance of music – eventually with guest artists. Below we have some pictures of these Salakamari sessions.

The Salakamari lecture 1: Information and impressions delivered by Sergey Malov

These early morning lectures at Salakamari turned out to be exciting sessions and the artists made their best as presenters and performers. My first experience was the lecture of Sergey Malov, who had already shown that he is a virtuoso as violinist (see my previous post). But in Salakamari he demonstrated that he is an accomplished music teacher who can reveal the secrets of music to beginners just as well as to students who want to become professionals. Sergey told about his own background and of his education in Russia, Austria and Germany – and how he refused to make an exclusive choice between violin and viola, then to add the baroc instrument violoncello da spalla to his instruments. He told us of the composers, whose music he is currently playing – and put them into group picture of predecesors, contemporaries and successors. In this way we got a feeling for continuity and development in a musical genre – not just insights into particular pieces of music. (This is also what he has delivered in his records – putting Paganini into context or even more: putting Ysaÿe into context.) Concerning the Kuhmo festival, he praised the opportunity for artists to come together, play together and try something different together. Also he emphasised the opportunity for younger artists to take more challenging roles. And indeed, he gave us an analysis on the next concert and a recommended us to join him and go to listen to it. As I said it, the great artist also proved to be a great educator and analyst – chapeau, Meister Sergey!

The video below was not exactly the music that Meister Sergey  played there, but it has probably been filmed in Kuhmo:

The Salakamari lecture 2: Daniel Rowland with guests and stories from the Netherlands and Argentina

My other great experience in Salakamari was with the English-Dutch violinist Daniel Rowland as the host. Indeed, he told something of himself and his background, growing up in a bilingual family in the Netherlands. And he had also a story, how he got attracted to Kuhmo and became fascinated. But he had also brought guests with him and with his guests he had special memories of playing together. The first guest was the Italian guitar player Alberto Mesirca and they played together Paganini. The story behind was that they had been playing in the Netherlands and a film crew insisted that they should play in the middle of a tulip field. And the artists obeyed, as we can see from the video below:

But then Alberto had to leave for the airport and gave way for the other guest, the Argentinian bandonion-player Marcelo Nisinman. And with Marcelo there had been a similar outdoor-performing session, again with a Dutch film crew but now in Kuhmo. The film crew wanted to have the musicians playing just before midnight, yet in daylight, at the lakeside. And again, the artists obeyed although they were surrounded by armies of Nordic mosquitoes. There were quite few also in Salakamari, when they played again, but not as many as you can see on the video below.

Well, we enjoyed the stories and the music. But Daniel topped it up by telling how Marcello got acquainted with the gran maestro Astor Piazzolla and invited Marcelo to tell more. So, the session became quite a learning journey delivering us influences and inspirations from here and there and everywhere. We gladly accepted Daniel’s characterisation of the festival as the “Planet Kuhmo” with its own atmosphere as a special place for encounters. Hartelijk bedankt, Meester Daniel!

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I guess this is already enough of the encounters in Kuhmo and in the Salakamari sessions. It was quite an inspiration and I started my personal follow-up, tracing websites and communicating on Facebook. But that is already another story to be covered by my next post.

More blogs to come …

This year I managed to start my holiday break early enough and with a firm decision to leave the work-related issues to the year 2018. Yet, little by little, the feeling creeps into your mind that you should say something about the highlights of the year 2017 that is soon coming to an end. And this time, it is clear, I need to report on a special cultural experience – our visit at the Kuhmo Chamber Music Festival 2017 – and how I turned into a passionate fan of classical music and of certain artists. And suddenly I find myself having a new priority area when writing updates on Facebook. But let’s start with Kuhmo and the festival and what it is all about.

Kuhmo … ? And Chamber Music Festival in Kuhmo …?

Once upon a time – over 40 years ago – a Finnish top musician Seppo Kimanen, who had already become an international celebrity, had a crazy dream. He thought of setting up a chamber music festival in such a remote place that the artists will come for a week or two without having a temptation to rush away after one or two performances. He looked at the map of Finland and found an ideal place – the municipality of Kuhmo in the Central North-East part of the country. Indeed, Kuhmo was remote from the ‘metropols’ of Southern Finland and of the relatively big cities of Northern Finland. It was remote from everything else except the Russian border, the wild woods and the nice lakeside landscapes near the centre of the municipality.

Kimanen managed to get the festival up and running and – after the difficult and ascetic beginning years it became a success story. Several years ago Kimanen handed over the responsibility to his successor, Vladimir Mendelssohn, an international musician, who is active in Finland. And in the course of the years faithful fans and committed artists have returned year by year and seen a marvellous concert hall being built to accommodate the main concerts, whilst part of the concerts are still going on in a school building, in the church and elsewhere in the region. Also, the Kuhmo experience has become a special concept, as the expression ‘the Kuhmo Planet’ indicates.

(This year the Dutch TV Channel produced a special program on Kuhmo in the series “Klasiek viert de zomer” following a Dutch couple and their ‘Kuhmo adventure’ . This program gives a lot of visual and musical insights into the life of festival tourists – and a lot of discussion in Dutch – have a look:

https://www.npo.nl/klassiek-viert-de-zomer/18-08-2017/VPWON_1274541)

For us – my partner Johanna and myself – Kuhmo has become a ‘must’ already long ago. Johanna, who comes originally from that region, has been a faithful fan of the first moments on. I have joined her later as an ‘avec’, who has gradually learned to enjoy the music. However, our participation had so far been based on commuting from the neighbouring Sotkamo and attending some selected concerts during one week. This has given some insights and impressions, but not much more. But this year we decided to take a ‘bigger package’. We took weekly tickets for both festival weeks and accommodation in the centre of Kuhmo. This enabled participation in a wider range of concerts and into other activities. And it provided us the possibility to follow the concerts with a focused approach.

Kuhmo 2017 – Highlights on the stage

For us, already one of the first concerts alerted us to something special that was coming up. The Finnish pianist Paavali Jumppanen (a renowned Beethoven-specialist) played together with the Russian violinist Sergey Malov (who was a new acquaintance to us) were playing Antonin Dvorak’s Sonatina in G. Op.100.  And it turned out to be an explosive show – two champions inspiring each other and getting the most and even more out of the masterpiece that they had chosen. But the ‘big bang’ was yet to come.

In a late evening concert shortly afterwards Sergey Malov was playing Caprices of Paganini – and how! He managed to stun us be his ‘entrée’ by having the stage darkened and only the front part of it lit with dim red lights that were gradually brightened. And then he appeared as ‘the man from the darkness’ and played the caprices in an unforgettable way.

To me (and to some friends of old who were also there) this brought into memory a scene in the Soviet-Moldavian film ‘Lautarii’ of the year 1972. In that scene a lautar (‘gypsy’) street-musician Toma Alistar has been smuggled to the house of a nobleman who is giving a concert on his premises and is clad like the professional musicians. The musicians start to play – in a routine-like way and the nobleman follows it with gestures of ‘dejà écoutée’. Then, the lights fall off and after a moment of chaos, Toma Alistar steps in from the darkness and plays the same music like a virtuoso. The lights reappear and the professional musicians join their new soloist. So much of the scene in the film. I managed to tell Sergey of this memory and then I found from Youtube the whole film as a Moldavian language version. At the same time Sergey had found it as a Russian language version – and seen the scene to which I referred. So, we had a common topic to discuss when we met every now and then. I got more interested of Sergey and he helped to find his CDs that were at sale and signed them for me. That was the start.

(This video was definitely not filmed in Kuhmo but it gives an impression of Sergey entering the stage and the sound of Paganini is exactly the same:

Another highlight on the great stage was the joint performance of the German-Turkish violinist Önder Baloglu and the Finnish pianist Marko Hilpo, who played a very challenging piece of music in a later concert – Darius Milhaud’s Cinéma-fantasie , Op. 58b “Le boeuf sur le toit” – with great success. A British music teacher next to us said that this was the first time he heard that piece played by only two musicians – and successfully. He characterised that as a high risk effort – if not suicidial. Later on Önder told that that was exactly how they had felt it – and the joy of success was great.

At a later phase, now in the church, there was a concert with Vivaldi’s Four Seasons. One of the fascinations of that performance was that there were four female violinists as soloists for one of the seasons. Minna Pensola started with Spring in her explosive way, then Elina Vähälä continued with Summer in a more calm tempo to be followed by the similarly calm Autumn soloist Alissa Margulis and then by the explosive Winter soloist Priya Mitchell (who was filmed by the above mentioned Dutch film crew).

At the final phase we were deeply moved by the concert in which Daniel Rowland and his colleagues Hugo Ticciati, Gareth Lubbe and Julian Arp – the O/Modernt String Quartet – played Schubert’s “Der Tod und das Mädchen”. We had just received a very sad news and this quartet managed to do all in their powers to ease our sorrow.

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To be sure, there were many more great performances. But these were  some of the striking moments that contributed to the very special Kuhmo experience. But it was not all about the concerts and on the performances of the artists on the stage. There is much more in the Kuhmo experience. I will try to illustrate some aspects in my next post.

More blogs to come …

At the end of November we had the kick-off meeting of the new Erasmus Plus project “TACCLE 4 – CPD” hosted by ITB at the University of Bremen. This project is a new kind of follow-up of a series of projects with the brand name ‘TACCLE’. So, let us firstly have a look at the development of these projects.

The TACCLE projects as support for teachers who are developing online learning

TACCLE 1 took the pioneering task to prepare a handbook as “Teachers’ aids for creating content for e-learning”. The result was a generic handbook that informed of basic web tools and online learning resources and equipped teachers to use them.

TACCLE 2 shifted the emphasis to work with online handbooks that were targeted for teachers in different subject areas as well as to primary school teachers.

These projects were also supported by specific TACCLE courses funded by the Comenius and Grundtvig programmes.

TACCLE 3 shifted the emphasis to teaching programming and coding for school children and worked mainly with the project website.

More information on the two first generations of TACCLE projects is availble on the video interviews with Jenny Hughes (recorded for the Coop-PBL in VET project in 2012):

Jenny Hughes on TACCLE 1 project: Getting teachers to produce their own web content (Part1)

Jenny Hughes on TACCLE 2 project: Reaching out to new teacher groups and subject areas (Part2)

TACCLE 4 project as support for teacher trainers with focus on technology-enhanced learning and online resources

Looking back, the earlier TACCLE projects have been successful and even more the TACCLE courses. This had created a demand for courses, workshops etc. based on the projects and their materials. This gave rise to a new project that focuses on practitioners who are developing  Continuing Professional Development (CPD) initiatives for teachers and trainers in different educational sectors. From this point of view the TACCLE 4 – CPD project was shaped to draw upon the prior experiences and to expand the work from school-based education to other educational sectors – Adult Education (AE) and Vocational Education and Training. From this perspective the project was based on a limited number of partner organisations, some of which had been involved in the previous ones and some bringing new countries and/or educational sectors into the picture.

For our institute – ITB – this project is an opportunity to draw upon the experiences of multimedia training and co-design of digital tools (mainly for construction sector) in the Learning Layers project (2012 – 2016). In the kick-off meeting we presented the work with the Learning Toolbox (LTB) and the follow-up activities in different contexts:

1. In the initial VET the HAKS project with craft trade companies and by the informal working groups of Bau-ABC trainers;
2. In the continuing vocational training by the DigiProB project that is developing a new software ecology that links together the course management and (via moodle) the trainers’ curriculum design platform (WordPress) and the learners’ interface (LTB):
3. In the designed project ProBauKo and in a prior feasibility study the ITB team and the LTB developers have explored the possibility to link the use of LTB to company-specific knowledge processes and learning opportunities.

In the TACCLE 4 – CPD project we have to see, how to link these working perspectives (and the role of vocational schools) to the way in which the TACCLE projects have supported training of teachers and trainers. I am looking forward to an interesting period of work.

More blogs to come …

Yesterday morning I got from Finland the sad news that my former boss, professor Juhani Kirjonen – Jussi, as we used call him – had passed away. It so happened that his life span came to end just one month before Finland celebrates the 100th anniversary of its independence. To me, there is another striking coincidence with the news of Jussi. At the end of October I had just written out my memories of the period that I had worked together with Jussi at the University of Tampere in the years 1986-1987.

At that time Jussi took the initiative to develop a post-graduate Master programme with focus on ‘Work Sciences’ (interdisciplinary consortium for research on working life). This was an interesting pilot initiative to engage researchers into cooperation with practitioners – HRD professionals, Health and Safety professionals, Training professionals. The aim was to get the participants shape developmental projects with conceptual and methodological support. Jussi, who had a long track record in interdisciplinary research on health and safety issues in working life, was convinced that the time was ripe for such a novelty – at that time there were hardly any postgraduate Master programmes in Finland (except the worldwide spread MBA programmes).

Jussi had got funding for a planning project from the Ministry of Education and the rector of the University of Tampere had set up an interdisciplinary planning committee consisting of researchers from different faculties and of external experts from the competent bodies for Health and Safety. In the year 1986, just after graduating as an MA from educational and social sciences, I started as the curriculum planner for this initiative. That period – one and a half year – was quite an adventure for both of us. We didn’t take this just as a ‘local’ curriculum initiative but as an intellectual mobilisation to get a better institutional backing for research on working life. From this point of view I was exploring also international models and made a lot of use of the German innovation programme “Humanisation of Work” of the late 1970s and early 1980s. Also I provided information on the German debates on integrative approaches to ‘work sciences’ (Fürstenberg: Konzeption integrativer Arbeitswissenschaft) and on the efforts to bring conflicting views from ergonomy vs. work psychology together. This work with literature was important for my further career development.

Alongside the planning work Jussi and I had several contacts with other interested researchers and with Social Partners. Also, after we had submitted the final report, we got involved in the discussion on launching a special research unit for research on working life. In that phase the initiative to set up a postgraduate Master programme got sidelined. Instead, the idea of a new interdisciplinary “Work Research Centre” got wide support and a this new centre was set up in record time bypassing all other earlier priorities of the university. However, in this final phase other researchers got the lead and Jussi retreated and took other duties. For me the new centre provided new opportunities to work in the research field “education and working life” and to create new international contacts – firstly in the joint initiatives of the Nordic countries (Denmark, Finland, Iceland, Norway, Sweden) and then with German research institutes – in particular with ITB. And this then brought me deeper to European cooperation in the field of vocational education end training (VET). And from 1994 on I worked several years in Cedefop (the European Centre for the Development of Vocational Training).

– – –

Looking back, I could not have dreamed of making such career steps without the pioneering work with the curriculum planning initiative with Jussi. Also, during that period I enjoyed his strong support. Surely – there were also periods when we were not quite on the same page. But, what was more important, we got over those periods and we were happy to conclude our work with a good spirit. And, although the launch of the Work Research Centre was not a direct follow-up of our initiative, something of the good spirit was taken over during the ‘golden’ pioneering years. Therefore, I feel the loss of my former supervisor, but at the same time I am thankful for having experienced that interesting period of work with him.

Jussin muistoa kunnioittaen

Today (11.11.2017)  I noticed by chance that I had started my career as a Pontydysgu blogger exactly ten years ago. The start was not great and there were periods of hibernation. Although I renamed my blog I didn’t quite get the swing immediately. But then, about exactly five years ago (16.11.2012) I started blogging on the Learning Layers (LL) project – and became a regular blogger. Now, almost one year after completing LL project I have kept myself busy with reporting on the follow-up activities. And indeed – during these active years – I have also learned to write on other topics alongside the work-related blogs. These anniversaries call for a brief reflection on my ideas during the earlier phases and during the active project-related blogging and in the follow-up phase.

I-Europe – The difficult beginning

I first named my blog as “I-Europe”. This needs an explanation. In the ECER conference in 2003 in Hamburg there was a special session of the VETNET network under the heading “Open meeting”. Alan Brown had initiated it to discuss different options for European cooperation (independently of EU-funding). He was at that time working part time as a programme director for a national research programme and had the opportunity create networking among similar research councils. Alan presented a preliminary framework “Learning in Knowledge Society (LinKS)”. I came up with a parallel initiative “I-Europe” – to promote knowledge development on international, innovative, integrative and inclusive developments in European vocational education and training cultures. Obviously, I didn’t have institutional backing or resources for supporting any practical measures based on such framework (I had just recently ceased to work as Cedefop project manager). However, my initiative had some positive feedback, but there was very little that we could have done.

Four years later I thought that I could start a new round of discussions. I had got settled to ITB in Bremen and started working on transnational projects that included fieldwork. At that time the European policy processes were geared to the framework processes – the Bologna process promoting the European Higher Education Area and the Copenhagen process pushing forward the European Qualification Framework (EQF). A working group in ITB had prepared a critical discussion paper on the EQF. I wanted to take the discussion further – to positive ideas on thematic knowledge development at the European level. But once again I had to observe that I was floating high up – and couldn’t get my ideas properly grounded.

Working & Learning – a new start (but shaky)

After some time and some self-critical reflections I decided to try a new start with a renamed blog. “Working & Learning” seemed to me an appropriate title because it referred to my research context and to the way I wanted get my blogging grounded. I was hoping that I could rely strongly on the projects of that time – Consultation seminars (on teachers and trainers in VET) and the network ‘Trainers in Europe”. However, the blogs for the Consultation seminars had to published exclusively on the project website, whilst the Trainers in Europe network allowed publishing on multiple websites. That already caused a split in the project landscape and made it difficult to reflect on the work in parallel activities. Two further projects of that time – the Politics project and Coop-PBL in VET – required content creation on the respective project websites. At that time I didn’t see any added value in posting on multiple websites. Therefore, I ended up with another period of hibernation with my blog.

Working & Learning gets a new swing with the Learning Layers project

The start of our major EU-funded research & development project Learning Layers (LL) changed the situation radically. We (ITB) had joined in the consortium at the late phase of preparations and we had the responsibility to coordinate the work with application partners in the Construction pilot in Germany. So, we had to work ourselves in and position ourselves as a research partner with genuine research contribution. And the project schedules pushed us into a rapid start (the initial interviews, the Application Partner Days, the preparation of the User Stories, the Helsinki Design Conference …). All this brought me back to blogging – and I got accustomed of regular blogging.

In the beginning this was just quick documentation on activities and events. But gradually there was more in it – reflection on lessons learned in the fieldwork, discussion on working issues, reorientation in the co-design work, introduction of training activities … In addition to this we redefined some aspects of the work as ‘development projects’, had a consortium-wide “Theory Camp” and prepared sustainability plans. The ‘hot’ phases of the work started when the idea of Learning Tool started to take shape, when the multimedia training was expanded to the “Theme Room” campaign and when the Learning Toolbox was piloted in the field. Furthermore, much of the discussion on the final reporting was supported by numerous blogs posts. At the end of the day, the annual logbooks of LL-related blogs were rather massive documents.

Working & Learning continues with follow-up activities of the Learning Layers project

When the Learning Layers project had reached the stage of final review and completed the final-final reporting duties, this could have been the end of the story – both for the project and for the project-related blogging. But it was not the case. Instead, the main actors in the Construction pilot – ITB, the application partners and the developers of the Learning Toolbox were keen to move on to follow-up activities. Although it was not easy to find appropriate ways to continue the development work and to find suitable funding opportunities, several smaller follow-up initiatives emerged. In this way the work with Learning Toolbox was linked to shaping of new ecosystems for coordinating work processes and/or supporting integrative training and learning arrangements. Moreover, the challenge to support the multimedia training for trainers and instructors has become actual time and again. All this makes me confident that there is work to be done in the follow-up activities.

– – –

I guess this is enough as a quick review and reflection on lessons learned. I may not have achieved a record number of blog posts during the ten years (and definitely not during the first five years). But that doesn’t matter to me. I have gone through quite a learning journey and found my way of blogging during the last five years. And with that I can be happy to continue.

More blogs to come …

This week we got the sad news that our former colleague and Bremen-based friend Emma had passed away. She was never a person for great publicity or to make a great show of herself. On the contrary – she wanted to stay at the backstage without making fuss of herself, but always ready to help the others. Therefore, I just call her by her first name – to respect her privacy also now after she is gone. (The ones who knew her, are aware of whom I am writing – others will get a picture of a respectable person, even if they didn’t learn to know her.)

I firstly learned to know Emma when she joined ITB to support the Europrof project in the mid-1990s. The project was an ambitious transnational project that sought to reform the training of VET professionals with emphasis on ‘social shaping’ of work, technology and work environment. In this context the partners sought points of intervention and supporting ideas, how to bring innovations into move. Then, after this project Emma worked for the Forum network to bring together different thematic sub-nets (on changing institutions, changing labour markets, changing organisations, changing vocational identities etc.) to common work processes. Later on, she was also supporting some other ITB projects of which I have less information.

Emma had a degree from her home country but having entered Germany as an expatriate she was very modest about it. So, she preferred to work as an administrative assistant rather than looking for a a more visible role. Yet, her presence as a colleague was sensed when she was involved – and missed when she was not there.

Later on Emma chose to take another perspective for her life and withdraw from the work in our projects. This was a very private matter and therefore I will not go further with this topic. All I need to say is that in the new role that Emma opted for herself she was 100% present and even more.

Every now and then we managed to meet with friends of old from the European projects and it was always a pleasure to me and to others. Sometimes we also had the chance to experience, what kind of great cook she was.

Recently, when great numbers of refugees came to Germany – and also to Bremen – Emma engaged herself in teaching German language to refugees. As an expatriate who had learned the language fluently, she was in a good position to assess what kind of difficulties the newcomers were facing.

Emma was still young and active when she was hit by the disease that took her life. We all feel sorry for the loss of such a person and express our condolences to her beloved ones. I hope that the musical greetings of the grande mama Mercedes Sosa and her fellow artists (see the links below) pass a message to them! (And I hope that the videos are not littered by inappropriate commercials.)

Mercedes Sosa – Razón De Vivir

Mercedes Sosa – O Que Será

Mercedes Sosa – Jamás Te Olvidaré